Italian Rococo Era Painter, 1687-1767 Italian painter and draughtsman. With Giambattista Tiepolo and Piazzetta, he was the most representative history painter of the Venetian Rococo. Besides altarpieces for Venetian and other churches as well as devotional images for private clients on both sides of the Alps, he painted subjects from mythology and Classical literature for collectors and connoisseurs in a Rococo idiom all his own; it is these secular pictures for which he is best known. Zava Boccazzi's catalogue raisonn of Pittoni's paintings (1979) includes 247 extant autograph works and 117 paintings now lost, destroyed or untraced. Binion's catalogue raisonn? of the artist's drawings (1983) lists 304 sheets. Pittoni's total output must have been far larger, as is evident from the drawings, many of which are studies for unknown works. For instance, Pittoni must occasionally have painted decorations for secular buildings and palazzi, probably in fresco, though none has yet come to light, with the notable exception of the few frescoes with scenes from the Life of Diana, painted in 1727 in the palazzetto Widman in Bagnoli di Sopra near Padua.   Related Paintings of PITTONI, Giambattista :. | Death of Sophonisba g | The Continence of Scipio (mk05) | Christ giving the Keys of Paradise to St Peter (mk05) | The Sacrifice of Polyxena | Polyxenes Sacrificing to the Gods of Achilles (mk05) |
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Stefano di Giovanni Sassetta
1423-1451 Italian Stefano di Giovanni Sassetta Gallery Stefano di Giovanni, known as il Sassetta, (Siena 1392 ?C 1450 or 1451) was an Italian painter. He was born in Siena, although there is also an hypothesis that he was born in Cortona. However, the first historical record of him was in Siena in 1423. Di Giovanni was probably the apprentice of Paolo di Giovanni Fei although it is also thought that he may have studied under Benedetto di Bindo. He painted in the semi-archaic Sienese School style of painting. Francesco di Giorgio e di Lorenzo, better known as Vecchietta, is said to have been his apprentice.
Jean Paul Selinger
Jean Paul Selinger (1850-1909) and Emily Selinger (1848-1927), husband and wife, had summer art studios at the Glen House and the Crawford House. Born in Boston, Jean Paul studied at the Lowell Institute and in 1875 he went to Germany to study at the Munich Academy with Wilhelm Leibl. Upon returning, he opened an art studio in Providence, Rhode Island, and married Emily McGary, also an artist. The Selingers had a studio in Boston and a summer art studio at the Glen House, Pinkham Notch in the 1880s. In 1894 the Selingers moved into the former studio of Frank H. Shapleigh at the Crawford House. In August 1894 the Selingers accepted an invitation to serve on the board of judges for a North Conway Coaching Parade Committee. Jean Paul painted numerous portraits, still-life paintings, and White Mountain landscapes. Emily painted both watercolors and oils of local flora. Jean Paul was a member of the Boston Art Club. He exhibited at the National Academy of Design in 1880 and the Paint and Clay Club in Boston in 1889.
Jose Clemente Orozco
Mexican 1883-1949 Jose Clemente Orozco Gallery Jose Clemente Orozco (November 23, 1883 ?C September 7, 1949) was a Mexican social realist painter, who specialized in bold murals that established the Mexican Mural Renaissance together with murals by Diego Rivera, David Siqueiros, and others. Orozco was the most complex of the Mexican muralists, fond of the theme of human suffering, but less realistic and more fascinated by machines than Rivera. Mostly influenced by Symbolism, he was also a genre painter and lithographer. Between 1922 and 1948, Orozco painted murals in Mexico City, Orizaba, Claremont, California, New York City, Hanover, New Hampshire, Guadalajara, Jalisco, and Jiquilpan, Michoac??n. His drawings and paintings are exhibited by the Carrillo Gil Museum in Mexico City, and the Orozco Workshop-Museum in Guadalajara. Jos?? Clemente Orozco was born in Zapotl??n el Grande (now Ciudad Guzm??n), Jalisco to Rosa de Flores Orozco. He married Margarita Valladares, and had three children. In a childhood accident, Orozco lost his left hand while playing with gunpowder. Jos?? Guadalupe Posada, a satirical illustrator whose engravings about Mexican culture and politics challenged Mexicans to think differently about post-revolutionary Mexico, worked in full view of the public in shop windows located on the way Orozco went to school. In his autobiography, Orozco confesses, "I would stop [on my way to and from school] and spend a few enchanted minutes in watching [Posada]?? This was the push that first set my imagination in motion and impelled me to cover paper with my earliest little figures; this was my awakening to the existence of the art of painting." (Orozco, 1962) He goes to say that watching Posado's engraving decorated gave him his introduction to the use of color. After attending school for Agriculture and Architecture, Orozco studied art at the San Carlos Academy. With Diego Rivera, he was a leader of the artist movement known as Mexican Muralism. An important distinction he had from Rivera was his critical view of the Mexican Revolution. While Diego was a bold, optimistic figure, touting the glory of the revolution, Orozco was less comfortable with the bloody toll the social movement was taking. Orozco is known as one of the "Big Three" muralists along with Diego Rivera and David Alfaro Siqueiros. All three artists, as well as the painter Rufino Tamayo, experimented with fresco on large walls, and elevated the art of the mural.